Showing posts with label King Arthur. Show all posts
Showing posts with label King Arthur. Show all posts

Sunday, 24 June 2018

Building Glastonbury Bit by bit - A challenging Work In Progress

Glastonbury - A Waking Dream Of Avalon - Work In Progress

There's some excellent Solstice weather outside the window, and some nice virtual Solstice weather to replicate on the screen. A few free hours proved useful this weekend, to learn the ins-and-outs of plant and tree generation in Unity. A lot of assets and off the peg 3d items come pre-bundled as environments, but I wanted some native flora, especially if specific plants are required for some of the esoteric puzzles.

Making quick bits of 3D Mesh Shape for using as plants parts..
Cow Parsley is a tricky one, at it has a 3d quality that doesn't work well with billboards (flat plants, in scenes, like grass), and Everyone's Gone to the Rapture has a lovely example in the field scenes. So, it was a good challenge to see what can be done, with little or no experience. There were a few photos to edit, for the textures. I photographed the plants around the Tor a couple of years back, so I used what I had. It's mostly flower head and leaf, that make up the plant, so benefited from a quick 3D surface, to add shape. Mapping the photos onto the models was easy, so it was over to Unity.

Fun with the Tree Tool in Unity

After setting the trunk shape, it was a case of distributing the foliage (branch groups). With a bit of tweaking and experimentation, I got the flower heads up top, and a naturalistic look to the leaves. One of the cool things about 3D, and tree creation, is infinite variation.

Lots of variations, just like nature.

I really like the fact that the Glastonbury plants are used directly in a virtual world, and animate with the wind, take shadows and dappled light and LOD themselves out of existence when I don't need them.

Flora and Fauna of a narrow Glastonbury lane

Photographing flowers, large and small, for use as textures, when creating 3D versions. Getting plants right will prove important, not just in Glastonbury, but during historical and archaeological reconstruction projects later in the year. Basically, representing places in realistic detail, from flora to fauna and climate.

Just add butterflies...

Hedgerows as I remember them, before the industrial trimmer. They bounce and move quite nicely, in various weathers and wind directions, which is perfect for later on. A lot of the weather effects have been made possible by the Enviro system, combined with Unity, to allow loads of customisation. We're looking to recreate the feeling of Summer Solstice, when the day is long and the shadows disappear at mid day.



We filmed a nice little video, on the recent Solstice, in the  valleys between Duloe and Looe. I was buzzing with bugs, birds and life, so felt like a perfect opportunity to capture some of the (slow motion) action. If we can get our hot summer days feeling like the video I'll be more than pleased.

The countryside around Wick Hollow Hall
Creating small, low detail houses, was fun. They are for use in the distant background of the scenes, to suggest the wider Glastonbury landscape. There has already been interest as to whether any will feature as haunted houses, but there just detail, for the wider vista. The main location, a closed down museum, is where most of the interior action will take place. A Night at the Museum, as it were. There's a temptation to feature a bit of the famous Music Festival later down the line, as well as a few ruins of the old Abbey.

LOD Houses for distant horizons, Glastonbury


The opposite of creating the Train Set style houses is creating the interior and exterior walls for Wick Hollow Hall. It's a late 16th Century build, using the local sandstone. Sadly only a few sand stone buildings survive, in Glastonbury, with the pub on the High Street being a fine example, if you ever visit. We captured all sorts of bits while we were there, including windows, doors and archways. The plan was to create a series of modules, with nice natural detail and interesting stone work. There's a lot of iron in the stone around the Tor, which gives some of the stones some variation.

Wall texture set for Wick Hollow Hall

Again, a bit like a train set, we put together the pieces, working out what was required to build the house, from structure to chimneys. It's fun, as in a way, it's got a bit of Glastonbury DNA in the game content, rather than RandOomStoneWall2. If I'm honest, I wouldn't be that  interested in a project if it didn't have some connection to the real world. It makes it more fun to produce.

Initial modules for Wick Hollow Hall

Quite a few new monuments were added to the main level, with some bits of Grammetry being ushered into use. This old planter well was captured at Luton Hoo, a few years ago. That's my Nanna and Mum in the background, ha ha. Hello Nanna! 

Old stone planter at Luton Hoo, and Nanna! ;-)

I'm really pleased with the results, with lighting and realistic shadows helping to blend the look. Monuments: statues, urns, plaques are everywhere around us, here in Cornwall and beyond, so there's a great opportunity to use some of it! I draw the line at using peoples grave stones, as it's a bit much, but statuary and stonework make excellent game objects. I can't wait to make them puzzles! ;-)


I've been watching quite a few space documentaries this week, in the background. It's a mind expanding subject, and something that's interested me alongside my fascination with stones circles. Most people know that Stone Henge has something to do with the Solstice, as they see it on the news, but most megalithic sites can be attached to some celestial event or solar/lunar activity. It's  ironic that they had to relearn alot of this stuff back in the 'Age of Discovery', and some lost their heads as a result. But, that stuff is reserved for the museum displays, probably with an animating little model to cut off the heads of the blasphemers!! I do like a museum with models. ;-)


So, with another weekend drawing to close, it's back to the job by Saxton shore. For now, here's  a pic of my Cow Parsley in the sunset by Glastonbury Tor. I'm really pleased with it, so I look forward to seeing waht else can be achieved with a few hours in Unity. 


Tuesday, 2 August 2016

Tintagel Castle - Archaeological Dig - Day 14

Tintagel Castle - Archaeological Dig - Day 14


Day 14, and my last day on the dig site at Tintagel Castle - TCARP 2016.

Tintagel Castle - Archaeological Dig - Trench Tristan #theta360 #theta360uk -

Today was a busy day at the dig site up on Tintagel Castle, as we wrapped up on the plotting, elevations, photographs, digging, and recording, at each of the four trenches. 




Tintagel Castle - Archaeological Dig - Trench C #theta360 #theta360uk -
It was a flurry of tape measures, measuring sticks, planning boards and levels as everybody busied themselves on the Southern and Eastern Terrace.




 Time to capture those last few interviews and trench shots for the ‘Digging For Britain Dig Diaries’.


Interpreting the walls and stones in Trench Mark (D), as the waves, barely visible for most of the day, crash on the coastline below.


Tintagel Castle - Archaeological Dig - Trench Mark #theta360 #theta360uk -


The Crew of Trench Mark – well minus a few guest appearances now and then.


Backfilling the trenches on the Eastern Terrace.






As the day came to a close, it was time to say goodbye to Tintagel for 2016... Till Next Time...


Monday, 1 August 2016

Tintagel Castle - Archaeological Dig - Day 13

Tintagel Castle - Archaeological Dig - Day 13


Day 13. 13 is unlucky for some. Today it certainly was for us at the dig site on Tintagel. Heavy wind and rain swept across Cornwall, replacing yesterdays blistering hot sunshine and blue sky with an ongoing downpour...  But we do love to moan about the weather, it’s a national hobby after all.


Keeping anything dry proved a little tricky today, with much drying of cameras between filming, whilst records, elevations and remaining trench finds were being gathered.  

Rather than filling the trenches with stone when we backfill, larger excavated stone and rocks are being stacked into the form of a wall. Only the looser earth will be put back, as next summer we hope to be lifting it all back out again as part of the ongoing investigation. 2016’s trenches are only exploratory to evaluate what is hidden beneath the surface.


On the Eastern Terrace, Richard talks me though the base layer of Trench Tristan for the cameras.


Wet Sieving continues. Martin watches his samples proudly, as they are blown dry under the cover of the gazebo, set up down beside the haven.


What’s that coming through the fog... oh it's more rain! 


Benj explains the perils of trying to plot out his trench drawings in the pelting rain, as he slowly watches his work washing off the pages. The trenches however are looking nice and clean now!


Sunday, 31 July 2016

Tintagel Castle - Archaeological Dig - Day 12

Tintagel Castle - Archaeological Dig - Day 12


Day 12 at Tintagel Castle Archaeology Dig- A fantastically sunny day greeted our arrival at the site. First up today, capture wide shots of the island with Alex from 360 Productions, for Digging for Britain (BBC Archaeology Show). The views from the ‘outer ward’ on the mainland side of the site have fantastic vistas overlooking the bay and haven, with the island/headland of Tintagel Castle.


It’s easy to imagine why this naturally defensive site would’ve been appealing in the past, as a safe place to settle, an impressive site to occupy or as a place to command amazing views with high status living. 


Climbing up to the island castle, it was time to meet up with the operator chap doing the camera drone filming and flying. The views captured of the castle ruins and trenches on the Southern and Eastern terrace provide a perspective only enjoyed by the birds, or those who venture near the cliff edges, or Merlin!


Soon back in the trenches, important discussions continue! Who does have the better archaeology dig hat?!


Jacky takes a closer and inquisitive look as the finds continue to emerge from Trench D (Mark). Many exciting ‘things’ have emerged from the soil, and are slowly and carefully being studied for later reveal.
 

Carl, always busy processing and washing the many finds, from the four exploratory trenches. As a first look at what lies beneath the soil, in order to plan investigation in the future, the 2016 dig, so far, has been an adventure of a lifetime.....


 ....And a lot of carrying soil sample buckets (empty and full)!  Selfie Time!


Friday, 29 July 2016

Tintagel Castle - Archaeological Dig - Day 11

Tintagel Castle - Archaeological Dig - Day 11


Another exciting day investigating on Tintagel Headland. In addition to the ongoing archaeology, which is continuing to reveal fascinating layers of history, we were also joined today by some of the team who produce Digging For Britain - 360 Productions - for additional filming and a site visit.


Archaeologist, Benj, seems pleased with the fragments of pottery he is discovering in Trench C. Soon this will be carefully washed and recorded.


 Filming in the trench continues as everything being investigated is documented for the Dig Diaries.


The stunning view from the Southern Terrace never fails to impress, with the archaeology dig in Trench C and D continuing onwards and downwards.


Trench Cam!  I think I should have a ‘Go Pro’ attached to me full time!



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